› From An extremly small, very fast and easy to use media cataloging tool. You can use it to index files stored on removable media (CD-ROMs, LS120, Iomega Zip and Jaz disks, or even diskettes), hard disks or net drives, and create searchable catalogs that can be used without having access to original media. Searching capabilities are based on file name, date and size. Additional features include filtering options, search duplicates or singles, customizable date format, etc. Found files can be opened (executed) or deleted directly, if they are present. Drag&drop support. Directory trees, MP3 album/song lists can be printed, disk space usage can be investigated.
Single file executable, no install needed. Full Specifications What's new in version 2.23. Important new search modes added (not archived & parent) General Publisher Publisher web site Release Date December 16, 2005 Date Added December 16, 2005 Version 2.23 Category Category Subcategory Operating Systems Operating Systems Windows 98/NT/2000/XP/2003 Additional Requirements. Windows 98/ME/NT/2000/XP/2003 Download Information File Size 64.88KB File Name Cathy231.zip Popularity Total Downloads 34,336 Downloads Last Week 27 Pricing License Model Free Limitations Not available Price Free.
Tonight is the night, Windows fans. Starting around midnight Eastern on Wednesday, June 29, 2015 will start rolling out to Windows Insider members. Audio Record Wizard 7.20 Full Version music software.
It can sometimes be difficult to capture and save for later enjoyment. It is easy to record sound from a microphone, a cassette tape player, or an LP player. You can also use the recording audio software to record music from almost any Windows. And if you're part of the first wave upgrading to Windows 10, your PC may already be primed for the upgrade. Some Windows Insiders are reporting that Microsoft is already sneaking the Windows 10 installer files into C:/$windows.BT, according to. Don't try getting clever, though: If you try to jump the gun and install Windows 10 ahead of time it likely won't work since a few key files are still missing.
Nevertheless, if you're expecting to see an upgrade in the next 24 hours some of the files may already be on your hard drive. Microsoft will start delivering upgrades at midnight Eastern time on Wednesday morning, The Verge says. The impact on you at home: Silently downloading updates to your machine is part of the new era for Windows. Microsoft hopes to keep its user base current with the latest feature updates and security patches by giving Windows 10 Home users almost no opportunity to delay or skip Windows updates.
Instead, they will be automatically downloaded, and then installed when the machine isn't in use. Many users already download and install updates automatically in Windows 7 and 8.1, but some prefer to update their machines manually. That option is now pretty much gone.
The good news is users can control when the updates are installed by scheduling them now, and if there are any problems Microsoft offers that messes up your system. Further reading: A new era Microsoft's move to Windows 10 is unlike any operating system upgrade in the company's history. For the next year, Windows 7 and 8.1 users will be able to upgrade to Windows 10 for free instead of paying an upgrade fee for the new software. Over Windows 8 and 8.1, which are now widely regarded as Vista-like failures. The traditional Start menu is, modern UI apps now exist in their own Windows on the desktop, and new features like and improve your overall experience. If you are running Windows 7, 8, or 8.1 and haven't signed up for your copy of Windows 10, there's still loads of time. You won't get your upgrade tonight, but you will stake your place in line for later waves of Windows 10 rollouts.
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Olson, University of Memphis and Mississippi State University 'Edward C. 'Eddie' Hinton (1944-1995) was a guitarist and singer-songwriter whose career spanned the most vital part of the soul music era in Muscle Shoals. In the late 1960s and early 1970s, Hinton, who was white, participated in many recordings with black soul artists from Aretha Franklin to the Staple Singers to Percy Sledge.
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As a singer, Hinton is regarded among blues and soul aficionados as one of the great 'blue-eyed soul' singers. As a guitarist, Hinton's playing reflects an authentic Delta blues style. Hinton often wrote in collaboration with Muscle Shoals composers such as Donnie Fritts, Marlin Greene, and Dan Penn. A Muscle Shoals session musician from 1967 until his death in 1995, Hinton also was the lead guitarist with the Muscle Shoals Rhythm Section in the early-to-mid 1970s. Eddie Hinton was born in Jacksonville, Florida, on June 15, 1944, to Laura Deanie and Horton C.
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Hinton's parents divorced in 1949, and he and his mother moved to Tuscaloosa, Tuscaloosa County, where his mother married Paul Perkins some years later. Eddie had a close bond with grandfather Pryde Edward Hinton, a Church of Christ preacher, and later incorporated religiously inspired oratory into his music, notably in his song 'Dear Y'All.' Eddie showed a musical aptitude as a child and learned to play guitar and sing, being inspired by teen singing idol Ricky Nelson. Eddie played basketball in high school and became a fan of the University of Alabama's Crimson Tide football team. He attended the University of Alabama for three years but withdrew when his musical pursuits beckoned. He had a natural gift for music and played drums and guitar equally well.
He played in the Tuscaloosa area in the 1960s with a number of bands, including The Spooks and The Five Minutes. Among the players in the latter group were Johnny Sandlin (drums), Paul Hornsby (keyboard), and Paul Ballenger (guitar), who would later form a publishing partnership with Hinton. Hinton replaced Ballenger and guitarist Charlie Campbell in the newly reformed Five Minutes in 1965, and the band subsequently reformed again as Hour Glass, absorbing Duane and Gregg Allman into the line-up. When Hour Glass signed with Liberty Records and spent a year in Los Angeles, Hinton decided to remain behind to work in the recording scene in Muscle Shoals. Hinton began to record and produce for several recording studios in the Shoals, particularly Quin Ivy's Quinvy Studio in Sheffield, where Hinton and Marlin Greene wrote and produced songs for soul artists Don Varner and Bill Brandon on Quinvy's Southcamp imprint. When Duane Allman returned to the Shoals from Los Angeles in 1968, he and Eddie shared an apartment.
Hinton's production work at Quinvy Records drew upon a blend of soul and blues styles that became quintessentially part of the so-called Muscle Shoals 'sound,' exemplified in Hinton's work with the Staple Singers and the Muscle Shoals Rhythm Section (MSRS). In 1969, Hinton collaborated with Johnny Sandlin on a project that included Duane Allman, the Muscle Shoals Rhythm Section, and the Memphis Horns. The record was released under the title The Duck and the Bear and has come to be considered a seminal recording in the southern rock genre. Hinton also was closely associated with the burgeoning southern rock scene centered around the Allman Brothers Band, formed by the brothers that same year. He was asked by guitarist Duane Allman to join the band but declined the offer and remained a session musician in Muscle Shoals.
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During Hinton's career in Muscle Shoals, he worked on recordings by Percy Sledge at Quinvy and with Otis Redding and Arthur Conley at FAME Studios. As a solo artist, Hinton released a single on Pacemaker Records (1969) featuring an original titled 'Dreamer,' and after April 1969 became a mainstay at Muscle Shoals Sound Studio in Sheffield. There, Hinton contributed to sessions with the Staple Singers, Cher, Lulu, Johnnie Taylor, Bobby Womack, Ronnie Hawkins, R. Greaves, Wilson Pickett, Joe Tex, Johnny Jenkins, Herbie Mann, Arif Mardin, Don Covay, Solomon Burke, and Boz Scaggs. Hinton recorded as part of the MSRS at Atlantic Records in New York, playing on Aretha Franklin's 1970 album This Girl's In Love With You. That same year, Hinton played with the MSRS on Laura Nyro's album Christmas and the Beads of Sweat (1970).
Beyond his exemplary work with the Staple Singers, Hinton played on William Bell's Wow (1970), Elvis Presley's Elvis Country (1971), and Johnnie Taylor's Tailored in Silk (recorded between 1971 and 1973), Hinton fronted the MSRS on the Chuck Berry classic 'Too Much Monkey Business' recorded in 1971 for a never-released MSRS project on Island Records. An important songwriter and musical collaborator, Hinton co-wrote, with Marlin Greene, the southern soul classics 'Cover Me' (1967) and 'It's All Wrong But It's Alright' (1968) for Percy Sledge, and 'Down In Texas' for Don Varner (1967). Eddie and Paul Ballenger produced Don Varner's cover of the Dan Penn and Spooner Oldham song 'Power of Love,' which became a hit for Hour Glass in 1968. With Donnie Fritts, Hinton composed 'Breakfast in Bed' for Dusty Springfield (1969), 'Choo Choo Train' for the Box Tops (produced by Dan Penn in 1968). Hinton contributed his song 'Three Hundred Pounds of Hongry' to Tony Joe White's The Train I'm On (produced at Muscle Shoals Sound in 1972), and his songs 'Can't Beat the Kid' and 'Every Natural Thing' for John Hammond's Muscle-Shoals album Can't Beat the Kid (1975) and Hinton also contributed 'Just a Little Bit Salty' to Bobby Womack's Home is Where the Heart Is, recorded at Muscle Shoals Sound Studio in 1976. In 1977, Hinton recorded a solo album, Very Extremely Dangerous, at Muscle Shoals Sound Studio; it was produced by Barry Beckett for the Capricorn label and included a strong set of original songs as well as collaborations with Dan Penn and Donnie Fritts'.cont.
Many thanks for this, le Roi. Hinton is yet another of those singers and songwriters whom I have heard about but not heard. I discovered Dan Penn via this blog and know that Hinton played a similar role as as songwriter for soul artists; however, I am really keen to hear his vocals and guitar playing. As for 'Breakfast In Bed', I was unaware that Dusty Springfield sang it until you posted a collection of her music.
I first heard it in 1973 as sung by Lorna Bennett and Scotty on the reggae hit 'Skank In Bed'.
Contents. Track listing No. Title Writer(s) Length 1. 'House Is Not a Home', J. Freed 4:46 2.
'NYC (Can You Believe This City?)' Chacon, Freed 5:45 3. ' Mick Leeson, Peter Vale 4:38 4. 'Hurt No More' Chacon, Freed 4:33 5.
'I Understand' 1:10 6. 'Unconditional' Chacon, Andy Dean, Ben Wolff 4:40 7. 'Love Is a Beautiful Thing' 4:45 8. 'Father to Son' Chacon, Dean, Wolff 5:40 9.
'December 2' Chacon 1:53 10. 'Be a Little Easy on Me' 5:07 11.
'Vowel Song' Chacon, Dean, Wolff 4:15 12. 'Where Do We Go from Here?' Chacon 4:13 13. 'Shine' (includes untitled hidden track starting from 5:50) Chacon, Freed, Rafeal Hernandez 7:00 Personnel.
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Sayers did not devote a great deal of time to talking or writing about feminism, but she did explicitly address the issue of women's role in society in the two classic essays collected here. The proper role of both men and women, in her view, is to find the work for which they are suited and to do it. Dorothy sayers why work. Central to Sayers's reflections is the conviction that both men and women are first of all human beings and must be regarded as essentially much more alike than different. DESCRIPTION Introduction by Mary McDermott Shideler One of the first women to graduate from Oxford University, Dorothy Sayers pursued her goals whether or not what she wanted to do was ordinarily understood to be 'feminine.' We are to be true not so much to our sex as to our humanity.
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