Overview This acclaimed survey of 20th-century architecture and its origins has become a classic since it first appeared in 1980. Now revised, enlarged and expanded, Kenneth Frampton brings the story up to date and adds an entirely new concluding chapter that focuses on four countries where individual talent and enlightened patronage have combined to produce a comprehensive and convincing architectural culture: Finland, France, Spain and Japan. The bibliography has also been reviewed and extended, making this volume more indispensable than ever.
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I'm surprised at some of the very negative reviews of this book. Thisis probably the best short history of modern architecture, or historyof modern architecture of any length perhaps, and it succeeds quitewell as a 'critical' history. Maybe some people thinkFrampton overuses the word 'critical,' but he uses the termin a meaningful way. He presents information but also systematicallyanalyses that information and draws reasoned conclusions. And therest of his language, supposedly impenetrable to some readers, is usedmeaningfully also.
It's not jargon. Yes, Frampton is well-educatedand he has an impressive vocabulary. Is that a problem? I wouldexpect as much from an architectural historian and critic.
His styleis different from other writers and perhaps somewhat less accessible,but he has many valuable things to say. Possibly more so than anyother historian of modern architecture that I've come across. He'sthought deeply about his subject matter and offers us his carefullyreasoned analyses. He does this while providing us with a wealth offactual information in a concise format. It's an excellent book.There have been many architectural writers in recent decades who'veabused us with meaningless archibabble but Frampton isn't one of them.
I agree with one reviewer that Frampton assumes his readers are already familiar with the buildings (and architects, and 20th c. History in general), and I agree that more images and larger images would help.
But there are a lot of images and the book is supposed to be concise. Maybe it's best to read a couple other histories first - Pevsner's 'Pioneers of Modern Design' and Hitchcock's longer 'Architecture: 19th and 20th Centuries,' for example. I think it is one of, or maybe the best books of modern architecture since its first edition. Maybe it is not too didatic, so lay people about architecture could have some dificulty on understanding some facts, but this book is, like the title says, very critical and not just throws the facts, but explains very well the reasons why and the associations between mankind history, the artistic movements and the modern architecture. And the last edition bring the history of the last 30/20 years of architecture, what is someway hard to find in other books about architecture history. A must read for architecture students.(Sorry if my english is not well).
This acclaimed survey of 20th-century architecture and its origins has become a classic since it first appeared in 1980. Now revised, enlarged and expanded, Kenneth Frampton brings the story up to date and adds an entirely new concluding chapter that focuses on four countries where individual talent and enlightened patronage have combined to produce a comprehensive and con This acclaimed survey of 20th-century architecture and its origins has become a classic since it first appeared in 1980. Now revised, enlarged and expanded, Kenneth Frampton brings the story up to date and adds an entirely new concluding chapter that focuses on four countries where individual talent and enlightened patronage have combined to produce a comprehensive and convincing architectural culture: Finland, France, Spain and Japan. The bibliography has also been reviewed and extended, making this volume more indispensable than ever.
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Did Frampton disrespect Frank Lloyd Wright? Was Bauhaus a style or band? Could Zunkunftskathedrale have something to do with a cathedral and zoo? Absolute requirement- touch, read and tote-for those students pursuing knowledge, beauty coupled with criticism! All elevated or lowly undertakings some would argue start with curiosity, the questions presents itself like a hungry belly grumbling with a question of why, how or more appropriately “how idiotic, why?” Three chapters into “Modern Archit Did Frampton disrespect Frank Lloyd Wright? Was Bauhaus a style or band? Could Zunkunftskathedrale have something to do with a cathedral and zoo?
Kenneth Frampton Critical Regionalism
Absolute requirement- touch, read and tote-for those students pursuing knowledge, beauty coupled with criticism! All elevated or lowly undertakings some would argue start with curiosity, the questions presents itself like a hungry belly grumbling with a question of why, how or more appropriately “how idiotic, why?” Three chapters into “Modern Architecture,” you encounter an author who does not give much concern for Frank Lloyd Wright— and he is presented in brief. Thus if pages where love then its denied to Frank Lloyd Wright and maybe it is given to another in chapter thirteen.
This chapter is long, tedious and a most seductive rant on The Glass Chain: European Architectural Expressionism 1910-25.Some phrases that linger are-inscribed on the glass dome by Scheerbart- “Light wants crystal, glass brings a new era and building in brick only does us harm” is literary silver on the page (Frampton 116) and inspirational to the reader. This chapter delineates the reverence for the delta from darkness to light in Modern Architecture. Chapters are rampant and this text is the equivalent of the student bible in Art, Design and Architecture though birthed in 1980 it still has sway, gives lengthy consideration to globalization and remains a testament to Modern Architecture. This book is a stupendous read and survived many clandestine sessions in my black Tony Burch tote, I strongly recommended this book. Anytime i read architectural criticism, i think of george orwell's famous bloodletting of a passage from ecclesiastes, where I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favor to men of skill; but time and chance happeneth to them all. Becomes: Objective consideration of contemporary phenomena compels the conclusion that success or failure in competitive activities anytime i read architectural criticism, i think of george orwell's famous bloodletting of a passage from ecclesiastes, where I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favor to men of skill; but time and chance happeneth to them all. Becomes: Objective consideration of contemporary phenomena compels the conclusion that success or failure in competitive activities exhibits no tendency to be commensurate with innate capacity, but that a considerable element of the unpredictable must inevitably be taken into account.
That said, kenneth's knowledge of architecture is broad indeed. Kenneth Frampton is a British architect, critic, historian and the Ware Professor of Architecture at the Graduate School of Architecture, Planning, and Preservation at Columbia University, New York.
Frampton studied architecture at Guildford School of Art and the Architectural Association School of Architecture, London. Subsequently he worked in Israel, with Middlesex County Council and Douglas Ste Kenneth Frampton is a British architect, critic, historian and the Ware Professor of Architecture at the Graduate School of Architecture, Planning, and Preservation at Columbia University, New York. Frampton studied architecture at Guildford School of Art and the Architectural Association School of Architecture, London. Subsequently he worked in Israel, with Middlesex County Council and Douglas Stephen and Partners (1961–66), during which time he was also a visiting tutor at the Royal College of Art (1961–64), tutor at the Architectural Association (1961–63) and Technical Editor of the journal Architectural Design (AD) (1962–65). Frampton has also taught at Princeton University (1966–71) and the Bartlett School of Architecture, London, (1980). He has been a member of the faculty at Columbia University since 1972, and that same year he became a fellow of the Institute for Architecture and Urban Studies in New York - (whose members also included Peter Eisenman, Manfredo Tafuri and Rem Koolhaas) - and a co-founding editor of its magazine Oppositions.
Frampton is a permanent resident of the USA. Frampton is well known for his writing on twentieth-century architecture. His books include Modern Architecture: A Critical History (1980; revised 1985, 1992 and 2007) and Studies in Tectonic Culture (1995). Frampton achieved great prominence (and influence) in architectural education with his essay 'Towards a Critical Regionalism' (1983) — though the term had already been coined by Alexander Tzonis and Liliane Lefaivre. Also, Frampton's essay was included in a book The Anti-Aesthetic. Avery 5361 template word.
Essays on Postmodern Culture, edited by Hal Foster, though Frampton is critical of postmodernism. Frampton's own position attempts to defend a version of modernism that looks to either critical regionalism or a 'momentary' understanding of the autonomy of architectural practice in terms of its own concerns with form and tectonics which cannot be reduced to economics (whilst conversely retaining a Leftist viewpoint regarding the social responsibility of architecture). In 2002 a collection of Frampton's writings over a period of 35 years was collated and published under the title Labour, Work and Architecture.
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'One of the most important works on modern architecture we have today.' ― Architectural Design This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world. The bibliography has been updated and expanded, making this volume more complete and indispensable than ever.
420 illustrations 'synopsis' may belong to another edition of this title. Book Description Thames Hudson Ltd, United Kingdom, 2007. Condition: New. Language: English. Brand New Book. This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980.
For this fourth edition, Kenneth Frampton has added a major new chapter that explores the effects of globalization on architecture in recent years, the rise annd rise of the celebrity architect, and the way in which practices worldwide have addressed such issues as sustainability and habitat. The bibliography has also been updated and expanded, making this volume more complete and indispensable than ever. Seller Inventory # BZV958. Book Description Thames Hudson Ltd, United Kingdom, 2007. Condition: New.
Language: English. This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For this fourth edition, Kenneth Frampton has added a major new chapter that explores the effects of globalization on architecture in recent years, the rise annd rise of the celebrity architect, and the way in which practices worldwide have addressed such issues as sustainability and habitat. The bibliography has also been updated and expanded, making this volume more complete and indispensable than ever.
Kenneth Frampton Modern Architecture Pdf
Seller Inventory # BZV958.
This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world. T This acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980. For the fourth edition Kenneth Frampton has added a major new section that explores the effects of globalization on architecture in recent years and examines the phenomenon of international celebrity architects who are increasingly active all over the world. The bibliography has been updated and expanded, making this volume more complete and indispensable than ever. Did Frampton disrespect Frank Lloyd Wright?
Was Bauhaus a style or band? Could Zunkunftskathedrale have something to do with a cathedral and zoo? Absolute requirement- touch, read and tote-for those students pursuing knowledge, beauty coupled with criticism! All elevated or lowly undertakings some would argue start with curiosity, the questions presents itself like a hungry belly grumbling with a question of why, how or more appropriately “how idiotic, why?” Three chapters into “Modern Archit Did Frampton disrespect Frank Lloyd Wright? Was Bauhaus a style or band? Could Zunkunftskathedrale have something to do with a cathedral and zoo? Absolute requirement- touch, read and tote-for those students pursuing knowledge, beauty coupled with criticism!
All elevated or lowly undertakings some would argue start with curiosity, the questions presents itself like a hungry belly grumbling with a question of why, how or more appropriately “how idiotic, why?” Three chapters into “Modern Architecture,” you encounter an author who does not give much concern for Frank Lloyd Wright— and he is presented in brief. Thus if pages where love then its denied to Frank Lloyd Wright and maybe it is given to another in chapter thirteen. This chapter is long, tedious and a most seductive rant on The Glass Chain: European Architectural Expressionism 1910-25.Some phrases that linger are-inscribed on the glass dome by Scheerbart- “Light wants crystal, glass brings a new era and building in brick only does us harm” is literary silver on the page (Frampton 116) and inspirational to the reader. This chapter delineates the reverence for the delta from darkness to light in Modern Architecture.
Chapters are rampant and this text is the equivalent of the student bible in Art, Design and Architecture though birthed in 1980 it still has sway, gives lengthy consideration to globalization and remains a testament to Modern Architecture. This book is a stupendous read and survived many clandestine sessions in my black Tony Burch tote, I strongly recommended this book. Anytime i read architectural criticism, i think of george orwell's famous bloodletting of a passage from ecclesiastes, where I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favor to men of skill; but time and chance happeneth to them all. Becomes: Objective consideration of contemporary phenomena compels the conclusion that success or failure in competitive activities anytime i read architectural criticism, i think of george orwell's famous bloodletting of a passage from ecclesiastes, where I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favor to men of skill; but time and chance happeneth to them all.
Becomes: Objective consideration of contemporary phenomena compels the conclusion that success or failure in competitive activities exhibits no tendency to be commensurate with innate capacity, but that a considerable element of the unpredictable must inevitably be taken into account. That said, kenneth's knowledge of architecture is broad indeed. Kenneth Frampton is a British architect, critic, historian and the Ware Professor of Architecture at the Graduate School of Architecture, Planning, and Preservation at Columbia University, New York. Frampton studied architecture at Guildford School of Art and the Architectural Association School of Architecture, London.
Subsequently he worked in Israel, with Middlesex County Council and Douglas Ste Kenneth Frampton is a British architect, critic, historian and the Ware Professor of Architecture at the Graduate School of Architecture, Planning, and Preservation at Columbia University, New York. Frampton studied architecture at Guildford School of Art and the Architectural Association School of Architecture, London. Subsequently he worked in Israel, with Middlesex County Council and Douglas Stephen and Partners (1961–66), during which time he was also a visiting tutor at the Royal College of Art (1961–64), tutor at the Architectural Association (1961–63) and Technical Editor of the journal Architectural Design (AD) (1962–65). Frampton has also taught at Princeton University (1966–71) and the Bartlett School of Architecture, London, (1980). He has been a member of the faculty at Columbia University since 1972, and that same year he became a fellow of the Institute for Architecture and Urban Studies in New York - (whose members also included Peter Eisenman, Manfredo Tafuri and Rem Koolhaas) - and a co-founding editor of its magazine Oppositions. Frampton is a permanent resident of the USA. Frampton is well known for his writing on twentieth-century architecture.
His books include Modern Architecture: A Critical History (1980; revised 1985, 1992 and 2007) and Studies in Tectonic Culture (1995). Frampton achieved great prominence (and influence) in architectural education with his essay 'Towards a Critical Regionalism' (1983) — though the term had already been coined by Alexander Tzonis and Liliane Lefaivre. Also, Frampton's essay was included in a book The Anti-Aesthetic. Essays on Postmodern Culture, edited by Hal Foster, though Frampton is critical of postmodernism. Frampton's own position attempts to defend a version of modernism that looks to either critical regionalism or a 'momentary' understanding of the autonomy of architectural practice in terms of its own concerns with form and tectonics which cannot be reduced to economics (whilst conversely retaining a Leftist viewpoint regarding the social responsibility of architecture). In 2002 a collection of Frampton's writings over a period of 35 years was collated and published under the title Labour, Work and Architecture.
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